Tuvia Tenenbom has made his name with a series of best-selling books in which he relates his encounters with an impressively large number of people in several countries. On each journey he endeavours to elicit their views on a variety of topics, especially Jewish ones. He has toured Germany (I Sleep in Hitler’s Room), Israel (Catch the Jew) and the United States (The Lies They Tell). Now, in The Taming of the Jew, he turns his attention to the United Kingdom.
Tenenbom is a fearless and chuzpadik interrogator – fearless in broaching
any issue, however sensitive or embarrassing to his interviewee, and chuzpadik
in assuming any disguise likely to elicit a genuine response. He rarely
admits to being Jewish. He can, and
does, often pass himself off as a German, Dutch or Swiss journalist; he can be
a Muslim (and attend prayers at a mosque to enhance his bona fides), a
Palestinian, a Jordanian, or – in his effort to interview Jeremy Corbyn, then
leader of Britain’s Labour party and widely considered antisemitic – a French
adherent of the political hard left named Adrian, with a French accent to match. Although he never actually lands a full-scale
interview with Corbyn (he blows his own cover by mistake), his book boasts a
picture of him and Corbyn, following a chance encounter, in a close
embrace.
“Two souls unite,” he writes. “I look deep into his eyes, two penetrating eyes, quite similar to the eyes of the Gateshead [yeshiva] rabbi. Are they siblings?”
Tenenbom in close contact with Jeremy Corbyn Tenenbom undertook his six-month
exploration of Britain and the British during 2018 and 2019, at the very height
of the political storm that followed the Brexit referendum – the nation-wide vote
in favour of Britain leaving the European Union. Brexit certainly features
prominently in the many discussions and interviews he records both with
ordinary folk and also with political figures at the very heart of the frenzy. He delights in stripping away their
pretensions and hypocrisies.
Interviewing leading lights in the Labour party, for example, he found it virtually impossible to get any to say outright that Jeremy Corbyn was an antisemite, though they would endorse every such charge against him. After all, Corbyn could possibly have become Britain’s next prime minister. Speaking to Members of Parliament, he found that most had voted to remain in the EU and were now quite prepared to ignore and overturn the Brexit referendum result. Tenenbom throws scorn on the range of specious arguments they advance for doing so.
Travelling throughout the United Kingdom, and spending time in each of the four nations that comprise it – England, Scotland, Wales and Northern Ireland – one common phenomenon that Tenenbom encountered was strong pro-Palestinian feeling. He found it in every corner of the British Isles, and indeed beyond, for he included a tour of Eire (Ireland outside the United Kingdom), in his journey.
He records this widely held sentiment
dispassionately, together with the anti-Zionist, anti-Israel or frankly
antisemitic views which often accompanied it and which, when probed very
gently, were clearly based on falsehoods or frightening ignorance. He also records finding the Palestinian flag fluttering
across the land in the most unlikely venues – on pubs, outside shops, atop municipal
buildings.
Tuvia Tenenbom is a man of many parts. Born in Israel, he now resides mainly in
Germany and the US. A graduate in
mathematics and computer science, he studied for a PhD in English literature and is
also a playwright and the founding artistic director of the only
English-speaking Jewish theatre in New York.
During his in-depth tour of Britain, he naturally gravitates towards any
theatrical performances that come his way. He sometimes chances on a production
that delights him – like The Producers in Manchester, or Macbeth in
Oxford – but many do not.
It was while enjoying Macbeth that a
thought about Shakespearean theatre struck him – it exactly mirrors some of the
innate characteristics of the British people.
Much of Shakespeare is about their history, their complex relationship
with monarchy, their fights with one another, their hypocrisy. On the stage, as off it, they talk nicely to
one another, then stab each other to death.
“There’s daggers in men’s smiles”.
As on the stage, so in the House of Commons, observes Tenenbom. It’s all “the honorable gentleman” and “my
right honorable friend” said with the tongue, as poison drips from the lips.
When he visits Stratford-upon-Avon, the
birthplace of Shakespeare and the home of the Royal Shakespeare Company (RSC),
he records a major disappointment. He
had been looking forward to a night with the Bard, but discovers that something
of Shakespeare’s was not on offer. He was somewhat placated when he discovered
that the RSC was presenting a production of Molière’s Tartuffe, which he
knew to be a delightful comedy about religious hypocrisy. However his heart sank when he read that this
Tartuffe was “a brand-new version…relocated to present-day Birmingham’s
Pakistani Muslim community”. Tenenbom
describes it as a politically correct disaster.
He had expected to see the best of theatre, he writes, but he ended up
seeing the worst. “I can hear Molière
screaming from the depth of his grave.”
Another of Tenenbom’s characteristics is his
unashamed love of good food. He is, to
put it bluntly and in French, a bon vivant. Wherever his travels lead him, he will tend
to seek out – and to relish – the best eating that the place can offer. The Taming of the Jew offers the
reader many pleasures, but none more than details of the restaurants where the
visitor to the UK can find culinary delights.
In April 2019, with his time in Britain drawing
to a close, Tenenbom was interviewed on the UK-based Jewish TV channel known as
J-TV. In the 20-minute programme, still
available on YouTube, Tenenbom describes what motivates his undercover
journalistic work. He does not go
looking for antisemitism, he says. He
sees his task as spending some six months in a country and trying to discover
what people are thinking. “Sadly,” he
says, “what often emerges is The Jew.”
He acknowledges that his conclusions are not
statistically based, but after speaking to literally hundreds of individuals he
says certain clear themes emerge. The
over-riding impression he has gained, not only in the UK but wherever he has
travelled, is that age-old antisemitism is alive and flourishing.
That theme certainly emerges from the amazingly
frank, amusing and sometimes hilarious encounters that Tenenbom records in The
Taming of the Jew – a picture of Britain that in so many ways echoes what
Anglos born in the UK will ruefully acknowledge to be accurate. What is no longer so and has passed into
history is the tumultuous political scene he encountered. Now, less than two years on, Brexit is done
and dusted, the hapless prime minister Theresa May has given way to another,
Jeremy Corbyn has left the scene, the braying Speaker of the House of Commons
that so irked Tenenbom has departed, and the country is only slowly emerging
from the totally unforeseen and unprecedented crisis of the coronavirus
pandemic.
In short, but for the abiding antisemitism, The Taming of the Jew is a wonderfully readable account of a UK that was, and is no more. It is highly recommended.
In Scotland, Tenenbom models the kilt
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